BEGIN:VCALENDAR
VERSION:2.0
CALSCALE:GREGORIAN
PRODID:iCalendar-Ruby
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250116T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250115T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491356978
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250117T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250116T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491358003
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250118T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250117T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491361076
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250119T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250118T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491363125
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250123T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250122T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491366198
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250124T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250123T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491368247
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250125T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250124T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491371320
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250126T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250125T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491373369
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250130T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250129T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491375418
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250131T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250130T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491378491
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250201T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250131T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491382588
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250202T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250201T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491384637
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250206T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250205T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491386686
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250207T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250206T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491388735
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250208T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250207T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491391808
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250209T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250208T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491393857
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250213T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250212T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491395906
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250214T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250213T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491397955
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250215T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250214T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491401028
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250216T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250215T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491403077
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250220T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250219T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491460422
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250221T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250220T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491463495
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250222T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250221T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491465544
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250223T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250222T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491467593
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250227T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250226T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491469642
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250228T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250227T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491471691
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250301T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250228T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491473740
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250302T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250301T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491475789
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250306T020000Z
DTSTAMP:20260307T143430Z
DTSTART:20250305T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491478862
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250307T020000Z
DTSTAMP:20260307T143431Z
DTSTART:20250306T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491481935
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250308T020000Z
DTSTAMP:20260307T143431Z
DTSTART:20250307T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491483984
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250309T020000Z
DTSTAMP:20260307T143431Z
DTSTART:20250308T210000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491486033
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250313T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250312T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491489106
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250314T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250313T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491491155
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250315T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250314T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491494228
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250316T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250315T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491497301
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250320T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250319T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491499350
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250321T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250320T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491501399
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250322T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250321T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491503448
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250323T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250322T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491505497
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250327T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250326T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491507546
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250328T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250327T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491509595
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250329T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250328T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491511644
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Concerts & Performances
DESCRIPTION:Curated by Arielle Simmons \n\n \n\nMolly Jae Vaughan fights fo
 r herself and her trans community to be seen as wholly human through art. T
 ransition as Performance\, Life as Resistance reflects Vaughan’s multi-disc
 iplinary approach\, with mediums including painting\, performance\, photogr
 aphy\, textile\, and screen printing. Each body of work thoughtfully\, exqu
 isitely crafted and yet secondary to the ultimate goal of communication. Th
 e uniting\, principal question: what does it mean to be trans in America at
  this moment?\n\nVaughan shares her deeply personal experience of transitio
 ning to gender alignment in figurative paintings that lay bare the most int
 imate moments of her own becoming. Vaughan is unflinching in her self-exami
 nation and revelation\, in turn demanding the same from her audience.  \n\n
 As trans Americans are under siege by an onslaught of anti-trans legislatio
 n\, she also broadens our lens. In filmed performances of Atonement for Ima
 ginary Sins\, Vaughan absorbs the pain of this political vitriol literally\
 , performing self-flagellation before the capitol building and across the A
 merican South with a flogger sewn in symbols of the American flag. Each str
 ike across her back represents the staggering 1\,320 anti-trans bills propo
 sed in the United States since January 2023 to date. She takes the lashings
  in silence\, but across the work boils the full-throated\, full-bodied cry
  of fury. \n\nOther projects in the exhibition include Project 42: Flags\, 
 Safety in Numbers\, The Brutality of Change: Photographic documentation of 
 transexual technology\, and Misinformation is a Virus.\n\nMolly Jae Vaughan
  (b. 1977 London\, UK) holds a BFA from the School of Visual Arts in New Yo
 rk and an MFA from the University of South Florida in Tampa. Her work has b
 een exhibited nationally and internationally in solo exhibitions at Seattle
  Art Museum\, Bainbridge Island Museum of Art\, and Frye Art Museum\, with 
 group exhibitions at State of Fashion Biennale 2022\, The Block Museum of A
 rt and Henry Art Gallery. Vaughan’s work is included in the collections of 
 Seattle Art Museum\, Bainbridge Island Museum of Art\, Frye Art Museum\, Th
 e Block Museum of Art\, Henry Art Gallery\, and Stanley Museum of Art. Vaug
 han represented Washington State at the National Museum of Women in the Art
 s for the survey exhibition New Worlds – Women to Watch in 2024.\n\nVaughan
  was the recipient of the Betty Bowen Award in 2017. She has received grant
 s from Art Matters Foundation\, 4 Culture\, and the National Performance Ne
 twork. Her work has been featured in The Advocate\, Surface Design Journal\
 , New American Paintings and Transgender Studies Quarterly.  \n\nShe is cur
 rently a Professor of Art at Bellevue College in Bellevue\, WA.
DTEND:20250330T010000Z
DTSTAMP:20260307T143431Z
DTSTART:20250329T200000Z
GEO:47.612784;-122.341056
LOCATION:Seattle University\, Hedreen Gallery 
SEQUENCE:0
SUMMARY:Molly Jae Vaughan: Transition as Performance\, Life as Resistance 
UID:tag:localist.com\,2008:EventInstance_48544491514717
URL:https://events.seattleu.edu/event/molly-jae-vaughan-transition-as-perfo
 rmance-life-as-resistance
END:VEVENT
END:VCALENDAR